My work often begins with music,
but it can grow into something new through history, movement, space, language and collaboration.
Create Together
Concerts, interdisciplinary projects, workshops and new artistic ideas.
Here you can explore existing projects, see some of the work I’ve created, or imagine what we might make together.
Musickes Delight & Concerts
A selection of concert proposals from our Early Music ensemble
Beyond the concert - interdisciplinary projects
Solo performance · music theatre · Dante · chant and text
Incipit (2015, revived in 2018) is a solo performance inspired by the sonorous world of Dante’s Divine Comedy. Rather than illustrating the story, the performance explores the sounds, voices and musical references embedded in Dante’s text and transforms them into a contemporary theatrical experience. - literally travelling through how his Afterlife may have sounded in his mind.
Bringing together live music, voice, text, movement and theatrical space, I created and performed the work as a journey through different layers of sound and meaning. Historical material becomes a starting point for something new: an encounter between literature, music, performance and the body on stage.
Incipit was developed as the artistic-research project at the heart of my PhD in Music at the Universitat Politècnica de València, exploring how artistic practice itself can become a form of research.
The project reflects an approach that continues to interest me today: starting from historical sources, listening closely to what they contain, and asking how they might speak to an audience in the present.
Incipit (2015, 2018)
Cocito (2021)
Original soundtrack · dance film · composition
Cocito is a short dance film directed by Nuria Onetti, for which I composed the original soundtrack. Inspired by the ninth circle of Dante’s Inferno, the film follows a soul entering a world that initially appears beautiful, but gradually reveals itself as corrupted and inescapable. Music, movement and landscape come together to explore illusion, transformation and the gradual acceptance of an irreversible fate.
LOST (2017)
Music theatre · dance
Lost is an interdisciplinary music-theatre work created with Suite Oblique, bringing together live music, movement and acting. Set in a surreal Lost Items office, its characters arrive searching for things they have lost—time, love, and eventually their patience. What begins as a playful, absurd world gradually becomes a darker exploration of social manipulation, collective belief and the influence of an invisible figure who communicates only through social media.
Watch the trailer · Making of
ESCAPE (2021)
Video art · electronic composition · movement
Escape transforms a multi-storey car park into a labyrinth—a reflection on the feeling of being trapped during the pandemic and the search for a way out. I created the concept, video and original score, combining electronic sounds with tenor and alto recorders performed by me. Movement, architecture and music shape a journey through repeating levels and spaces, somewhere between confinement and escape.
DANCING IN THE DESERT (2019)
Dance · site-specific · improvisation
Dancing in the Desert is a site-specific movement improvisation filmed in the waters of Death Valley, in temperatures reaching around 50°C. Standing in and at the edge of the water, I improvised in response to the striking contrast between water and desert, body and landscape. The environment becomes more than a backdrop: its space, heat and visual stillness actively shape the movement and the work itself.
Workshops & Masterclasses
I offer workshops, masterclasses and creative sessions for conservatoires, music schools, festivals, ensembles and cultural organisations.
My teaching can begin with the recorder and historically informed performance, or move into questions of movement, space, stage presence and creative process. I enjoy adapting each session to the people involved, combining practical tools with curiosity, experimentation and active music-making.
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Technique, sound, articulation, ensemble playing, practice strategies and performance preparation.
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Historical musical languages, ornamentation, diminutions, sources, ensemble work and historically informed interpretation.
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A playful, experiential exploration of time, space, movement and presence. Viewpoints can help musicians develop spatial awareness and stage presence, while offering dancers and other performers tools for improvisation and creative composition.
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Please click the link to Questions & Answers
Create something together
Not every project begins with a finished idea. Sometimes it starts with a place, a text, a piece of music, an image, a movement—or simply a conversation.
I enjoy collaborating across disciplines and exploring how different artistic languages can meet. If you have an idea that might connect with my work, I’d love to hear about it.